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Mini Harmonica
Chopsticks (mini harmonica)
iPod Parts | Repairs | Service | Touch | iPhone | iPad by kaitlyn john
My family gatherings often include music â" mainly communal singing led by two or three talented young female vocalists, with instrumental accompaniment (harmonica, guitar, bass guitar, etc.) by assorted cousins and in-laws, ranging from professional musicians to ardent amateurs like me.
On one such occasion, someone, I think it was Cousin Ted, asked if any of us knew the lyrics and provenance of a song called âOh, Johnnie!â Nobody else volunteered, so I did.
Yes, I knew the lyrics. I remembered hearing the song on the radio when I was about 9. The vocalist was âWeeâ Bonnie Baker. The recording by Orrin Tucker and his band made her famous and made âOh, Johnnieâ one of the smash hits of the immediate prewar era â" Iâm guessing 1939 or 1940.
I then sang the song from beginning to end without tripping over a single word, thus winning a dollar from Cousin Ted, who happened to be holding the crib sheet.
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âAmazing!â he said, after the deafening applause subsided. âPiece of cake,â I responded, âhalf the kids in my class in high school could have done the same.â
You see, children, when Grandpa was a lad, we didnât have iPods or iPhones or even Walkmen to store and retrieve our favorite songs. We, most of us, didnât have huge collections of records, either. So we memorized the songs we heard on the radio, or on the jukebox, or in the local record shop. Hundreds of songs. Thousands, maybe. And we didnât have to scroll down a list to call them up. Just name the song, or hum a bar, and click! âI got it!â
Like most of the kids I grew up with, my love of music and song began at an early age and has never abated. In the 1930s and early 1940s, big-band broadcasts were popular, especially in the Chicago area where we lived: Orrin Tucker, Horace Heidt, Kay Kyser, Sammy Kaye, Guy Lombardo, Xavier Cugat and a bunch of other name bands were regular radio broadcast fare.
Ballroom dancing was tremendously popular. My mom and dad loved nothing better than an evening of dining and dancing at one of the swank hotels like the Edgewater Beach, the Drake or the Blackstone.
During the war years that followed we had the âLucky Strike Hit Parade,â and the great swing bands: Benny Goodman, Artie Shaw, Jimmy and Tommy Dorsey, Glenn Miller, et al.
And we had some swinging vocal groups: the Mills Brothers, the Ink Spots, the Andrews Sisters, Mitch Miller (Mitch Miller? Aw, come on!). And the crooners: Crosby, Sinatra, Bennett, Damone, Dick Haymes, Perry Como, Nat Cole. And the âsongbirdsâ: Martha Tilton, Margaret Whiting, Dinah Shore, Peggy Lee, Sarah Vaughan, Ella Fitzgerald, Jo Stafford.
What a lush time it was for pop music â" the greatest songwriters and lyricists of all time: Gershwin, Porter, Berlin, Rodgers and Hart, Rodgers and Hammerstein â" and all those incredibly, indelibly unforgettable tunes they wrote.
But thatâs just the pop stuff. One has to remember this was also the era of the folk song (out of Woody Guthrie, Burl Ives, Pete Seeger and the Weavers, amplified by Harry Belafonte and subsequently wrung dry by the likes of the Kingston Trio, the Smothers Brothers, and Peter, Paul and Mary. See Christopher Guestâs marvelous 2003 faux documentary of the folk era âA Mighty Wind.â
It was also the era of the musical comedy: from âShowboatâ and âKnickerbocker Holidayâ to âSouth Pacific,â âKiss Me Kate,â âThe Music Manâ and âCamelot.â From Nelson Eddy and Jeannette McDonald to Ethel Merman, Mary Martin and Julie Andrews. I still think an evening of theater is wasted if you canât walk out on the street belting one of Ethel or Maryâs show-stoppers.)
Also jazz. We got all kinds of jazz, man: New Orleans, Chicago, New York, Kansas City, Los Angeles. We collected classic Sydney Bechet, Bix Beiderbecke, âSatchmoâ Armstrong and Jack Teagarden records. We sipped our first watered rye and gingers at Pops Fosterâs and Eddy Condonâs in downtown Manhattan. We tasted âsomething coolâ from the recordings of Stan Kenton, Dave Brubeck and June Christy.
A few hundred hymns and carols that always seemed to be pitched a bit too high for our basso profundo were well-thumbed parts of our high school songbook, as were country-and-western hits we picked up at honky tonks and all-night chili joints while attending college in the Athens of the West, Columbia, Mo.
Later, while serving at an Air Force base about 20 miles south of Nashville, Tenn., I had the great good fortune of attending all-day concerts and âbring your ownâ picnics at the Grand Olâ Opry, imprinting an indelible appreciation of bluegrass, rockabilly and pure country on my city-kid DNA.
So many songs to learn, so little time. No wonder there was no room in our ditzy little heads for multiplication tables, or historical dates, or the conjugation of irregular French verbs.
Music was not a passive activity in our pre-iPod youth. We listened, surely. But we played, as well. We not only played, we crooned. We sang our hearts out and danced our socks off.
Music was as much a part of growing up as falling in love. Singing was as natural as breathing. I guess it still is for kids today. Only I think we were a lucky generation to have all that incredible material to work with, all those great artists and songsmiths to entertain us.
Sweet songs. Great lyrics. Wonderful memories!
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